Monday, March 28, 2011

Christ and the artist





























Charis-Kairos (The Tears of Christ) by Makoto Fujimura

Contemporary artist Makoto Fujimura is a Christian and well known in both Christian and secular artist circles. In celebration of the 400th anniversary of the King James Version Bible, he was commissioned, in a sense, to present abstract art alongside the four gospels. It is the merging of modern art with Scripture and is carefully crafted to illuminate the Bible in a creative way while still staying true to God's word. The typography and layout are beautiful as well, and I'm surprised something like this wasn't done earlier. It makes me really excited. Fujimura speaks beautifully about being beauty, the artist's place in the church, and being an artist and Christian, and how these two worlds came together to make the artist he is today. Some excerpts from his interview which can be viewed in full here:

On becoming a Christian and what changed before and after in his art work

"I knew that I had this awareness of brokenness that I didn’t have a solution for. The problem of an artist is that you create beautiful things and the beauty of it can haunt you because you don’t have a place inside for that transcendence. So an opera singer singing the best performance of her career will go backstage and weep because you know that you’ve been touched by something, but you don’t know what that is. I had this profound awareness that the beauty I am able to create, I’m alienated from. How do you bridge that gap? I felt that in that passage by William Blake, and the Gospel, this reality that was literally a bridge between heaven and earth, between my sense of alienation and what was happening inside and outside. That allowed me to hold everything together, to see that Christ indeed could bring those things together in my life."


What do you say to artists who feel a tension between creed and creativity and feeling like their creative artistic gifting prevents them from being boxed in with orthodoxy? How can you encourage artists that there is great joy and freedom according to the standards of Scripture?


"We take the word ‘discipline’ to be negative, but there is training that goes on in any form and you really have to deal with limitations of expression and those who make it are the ones who have recognized and began to create out of those limitations. So these boundaries actually have become your friends rather than your enemies, and that’s when your artist journey really begins. This idea of total freedom, untethered free expression is really a myth, and every artist knows that. I talk about all these words, ‘discipleship’ or ‘authority’ that have negative connotations because we’re so immersed in this freedom language, but are actually there to give us the ultimate freedom. You know the word ‘authority’ has the word ‘author’ in it. It’s authorship. When we realize that we have authority over our artwork because we’re the authors, that makes sense. On the flip side, if there is an author who authors our lives for the better, then it makes sense to allow yourself to accept the limitations given so that we can be liberated from ourselves. And so part of this discipleship is also this ability to understand from the macro perspective that we’ve been given the limitations, and even suffering that we go through, are ways in which we can become ourselves in the purest sense be sanctified to reveal what we have been given to do."


I'm still trying to understand what it means to be an artist, to be immersed in an artistic community, yet be set apart and have my work be glorifying to God. How to be a witness and show that my faith is not a limitation, but rather a liberation of the standards, limitations, and ugliness that sin has entangled the world. And to be all this while being relateable and genuine, honest, and steadfast. I guess that's kind of every Christians struggle. Gosh, it's difficult.

Wednesday, March 23, 2011

There are many different types of rain, and today's is a cold rain. Not the mind numbing sort that hurries you to your next destination without time to think because your hand is shaking and your shoes are squeaking. It's the head clearing kind of cold.

Sin is a slippery thing. One action in isolation may not be a sin, but repeat it a ten times, twenty times over, and it begins to take control. It becomes a gnawing hunger, a bottomless pit that is insatiable. God takes the backseat and the addiction takes the steering wheel. Things begin to feel unsafe but you keep driving anyway. I run red light after red light an it becomes reckless, but still it continues. Until I crash hard. It's inevitable. My head snaps back, whip-like, and the airbag promptly punches me in the face. And then Jesus is there securing my neck and wiping my shocked tears away, but I can't even look at Him because I feel so ashamed. It would be perfectly in His right to sit there, arms folded like so and a smug I told you so look on His face. But that's not who my Jesus is. I ask Him why He's doing this. He, who made the universe and painted the skies and exists in all eternity could crush me with His fingernail. Instead, He chooses to attend to this dumb sheep who, despite being free to roam the pastures, chooses to chase after wolves in the woods.

I understand what temptation is, and what it does to me when I succumb, but I don't understand why I keep going back to it. Why, when I'm free in Christ, I often choose to go back to being in bondage, a slave to sin. It's ridiculous. Yet you see it so often in humanity. There's the abused wife that leaves her husband but then goes back to him, the child sex slave that escapes from the brothels but returns later voluntarily. It's frightening. And that's just it. I think it's fear that drives humanity back to it's shackles because they see the light but feel so unworthy of it and are scared to be seen after being unseen for so long. So they run. Back to what they know, not to what could be.

Saturday, March 12, 2011

I feel anxious, on edge. Here but not there, there but barely here. Restless.


Why do I feel restless?
..and reading Life of Pi is not helping much.

Wednesday, March 9, 2011

Anger and stuff

It's easy to walk away from someone when they're angry.

"Just let him blow off steam."
"She doesn't mean what she's saying."
"Ignore him. He'll get over it."

But remember when that table flew, not of its own accord, and broken glass was everywhere--a mosaic of white dishes and bok choy and sesame bread and aching hearts? Remember when the door slammed and the engine started and the empty black pavement felt darker than the night sky? Or when fear moved in and decided to stay, even though I begged for it go away? I remember, and I can't ignore it, because I won't get over it.

I picked up the broken glass, bewildered and afraid. I whispered prayers into that night, hoping God would hear. How do I read between the lines of anger and sadness, anger and fear. How do I know it's 'just steam' and 'anger talk' when I've seen anger speak and it rocks me to my core? Tomorrow may be a new day but old habits die hard and scabbed wounds are still fresh and fragile. You brush it under a rug but what happens when the rug can't contain all of the hurt and madness and pain. It's not enough to pretend it never happened. It did. What now? Oh Lord, what now?